Skip to navigation Skip to content

Search for:

Ceramic art
Shop
Books
Courses
Blog
About
Checkout
- Terms and Conditions

Ceramic art
Shop
Books
Courses
Blog
About
Checkout
- Terms and Conditions

£0.00 0 items

Home / One-off pieces / Page 2

One-off pieces

Showing 13–14 of 14 resultsSorted by latest

←
1
2

Lichen-effect small black form
£80.00 Add to basket
Lichen-effect medium grey bowl
£80.00 Add to basket

Showing 13–14 of 14 resultsSorted by latest

←
1
2

Subscribe to my newsletter

* indicates required

Email Address *

First Name

Last Name

Important information

Everything is dishwasher and microwave safe, except for the handmade cake stands.

All the handmade pottery is made by Linda in her studio in west London. All the manufactured pottery is made to Linda's designs.

The porcelain clay is mixed in Stoke-on-Trent. It is fired to a high temperature in electric kilns and resists chipping or cracking.
The glazes are made in the studio and contain no lead or cadmium.
Glaze materials: feldspar, quartz, kaolin, calcium carbonate, dolomite, and borax frit from CTM potters supplies. Colourants: small amounts of rutile, copper oxide, nickel oxide, cobalt oxide, and tin oxide.

Exhibitions

Emmanuel Cooper Glaze touring exhibition
Sarah Wiseman Gallery
Sintered: Ceramics, Art and Science, Louisiana State University, Baton Rouge
Yorkshire Sculpture Park x Design Nation MADE showcase

Open studios

Artists at Home

Past exhibitions

Critical Clay, Form Gallery
Design Nation Our Journey at The Hub
Fresh Air Sculpture
Oeiras Ceramic Art
On Air at Ceramic Art London
Pathways Art Trail
Plates with Purpose, Messums West
Stone Lane Sculpture
The Future of Craft

Restaurants

Leafwild Cafe
Luca
Royal Albert Hall Café Bar
Scarlet Hotel
The Clove Club

Shops & Galleries

Frivoli
G&G Goodfellows
Masham Gallery
Sarah Wiseman Gallery
Studio Eleven

Linda Bloomfield

@lindathepotter

Potter and author of Contemporary Tableware, #SpecialEffectGlazes, #ColourinGlazes, #ScienceforPotters Making functional ceramics, inspired by lichens

9 hours ago
1 day ago
3 days ago
6 days ago
1 week ago
1 week ago
1 week ago
2 weeks ago
2 weeks ago

View on Instagram

Another glaze test of bronze, this time with a yellow glaze. The bronze glaze is made from manganese, copper oxide and clay. It reacts with each underlying glaze differently during firing, sometimes with multiple dendrites like mocha diffusion or dendritic agate; other times there are drips that can run all the way down the sides of pot.

I made these as part of my research for my Emmanuel Cooper Glazes book. He was also inspired by Lucie Rie and I have included her glaze recipes.

@lindathepotter

•

Another glaze test of bronze, this time with a yellow glaze. The bronze glaze is made from manganese, copper oxide and clay. It reacts with each underlying glaze differently during firing, sometimes with multiple dendrites like mocha diffusion or dendritic agate; other times there are drips that can run all the way down the sides of pot. I made these as part of my research for my Emmanuel Cooper Glazes book. He was also inspired by Lucie Rie and I have included her glaze recipes.

9 hours ago

View on Instagram |

1/9

Bronze glaze test, this one’s a bit runny. Fired in an electric kiln to cone 8. Recipe from my book Special Effect Glazes.

@lindathepotter

•

Bronze glaze test, this one’s a bit runny. Fired in an electric kiln to cone 8. Recipe from my book Special Effect Glazes.

1 day ago

View on Instagram |

2/9

Some good results from our glaze workshop @studiopotterylondon

The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

Some good results from our glaze workshop @studiopotterylondon

The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

Some good results from our glaze workshop @studiopotterylondon

The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

Some good results from our glaze workshop @studiopotterylondon

The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

Some good results from our glaze workshop @studiopotterylondon

The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

Some good results from our glaze workshop @studiopotterylondon

The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

Some good results from our glaze workshop @studiopotterylondon

The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

Some good results from our glaze workshop @studiopotterylondon

The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

Some good results from our glaze workshop @studiopotterylondon

The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

@lindathepotter

•

Some good results from our glaze workshop @studiopotterylondon The crackle glazes didn’t crackle as much as expected but the matt and satin matt glazes came out well. The gloop glaze also worked really well, fired at cone 7-8. The final photo is the mix of all the leftover glazes.

3 days ago

View on Instagram |

3/9

Small test bowls trying out different bronze glaze recipes with various matt and glossy glazes inspired by Lucie Rie and Emmanuel Cooper. The fluidity depends on the bronze glaze recipe and application thickness as well as the glaze underneath. Fired to cone 8 in an electric kiln, the recipes are in my book Special Effect Glazes.

@lindathepotter

•

Small test bowls trying out different bronze glaze recipes with various matt and glossy glazes inspired by Lucie Rie and Emmanuel Cooper. The fluidity depends on the bronze glaze recipe and application thickness as well as the glaze underneath. Fired to cone 8 in an electric kiln, the recipes are in my book Special Effect Glazes.

6 days ago

View on Instagram |

4/9

New glaze workshop dates are up on my blog.
In 2027 I’ll be teaching the following glaze workshops

29-30 January @lsuceramics Baton Rouge

13-14 March @upland_clay_pottery Cumbria

2-4 & 9-11 April @eltallerdeceramica.artcentre Malaga

19-22 April @guldagergaard_claytopia Denmark with @swansonstudii

1-2 May @coombefarmstudios Devon

22-23 May @lamineceramiqueparis France

12-13 June @the_ceramic_garden_ Carshalton

20-22 August @keramiekateliercraquele Belgium

11-12 September @countyhallpottery London

14-18 October @ceramicaza_retreats Rhodes

@lindathepotter

•

New glaze workshop dates are up on my blog. In 2027 I’ll be teaching the following glaze workshops 29-30 January @lsuceramics Baton Rouge 13-14 March @upland_clay_pottery Cumbria 2-4 & 9-11 April @eltallerdeceramica.artcentre Malaga 19-22 April @guldagergaard_claytopia Denmark with @swansonstudii 1-2 May @coombefarmstudios Devon 22-23 May @lamineceramiqueparis France 12-13 June @the_ceramic_garden_ Carshalton 20-22 August @keramiekateliercraquele Belgium 11-12 September @countyhallpottery London 14-18 October @ceramicaza_retreats Rhodes

1 week ago

View on Instagram |

5/9

These are all dolomite matt glazes from the weekend glaze workshop @forestrowschoolofceramics . The last one is Lucie Rie’s matt glaze which she used with the addition of tin oxide to make a white matt. With tin and copper oxide it makes turquoise.

These are all dolomite matt glazes from the weekend glaze workshop @forestrowschoolofceramics . The last one is Lucie Rie’s matt glaze which she used with the addition of tin oxide to make a white matt. With tin and copper oxide it makes turquoise.

These are all dolomite matt glazes from the weekend glaze workshop @forestrowschoolofceramics . The last one is Lucie Rie’s matt glaze which she used with the addition of tin oxide to make a white matt. With tin and copper oxide it makes turquoise.

These are all dolomite matt glazes from the weekend glaze workshop @forestrowschoolofceramics . The last one is Lucie Rie’s matt glaze which she used with the addition of tin oxide to make a white matt. With tin and copper oxide it makes turquoise.

@lindathepotter

•

These are all dolomite matt glazes from the weekend glaze workshop @forestrowschoolofceramics . The last one is Lucie Rie’s matt glaze which she used with the addition of tin oxide to make a white matt. With tin and copper oxide it makes turquoise.

1 week ago

View on Instagram |

6/9

Some great results out of the kiln @forestrowschoolofceramics

Matt, satin matt, crawl, oilspot and crackle glazes.

Thank you for the delicious cooking and unloading the kiln Katrina @forestrowschoolofceramics

Some great results out of the kiln @forestrowschoolofceramics

Matt, satin matt, crawl, oilspot and crackle glazes.

Thank you for the delicious cooking and unloading the kiln Katrina @forestrowschoolofceramics

Some great results out of the kiln @forestrowschoolofceramics

Matt, satin matt, crawl, oilspot and crackle glazes.

Thank you for the delicious cooking and unloading the kiln Katrina @forestrowschoolofceramics

Some great results out of the kiln @forestrowschoolofceramics

Matt, satin matt, crawl, oilspot and crackle glazes.

Thank you for the delicious cooking and unloading the kiln Katrina @forestrowschoolofceramics

Some great results out of the kiln @forestrowschoolofceramics

Matt, satin matt, crawl, oilspot and crackle glazes.

Thank you for the delicious cooking and unloading the kiln Katrina @forestrowschoolofceramics

Some great results out of the kiln @forestrowschoolofceramics

Matt, satin matt, crawl, oilspot and crackle glazes.

Thank you for the delicious cooking and unloading the kiln Katrina @forestrowschoolofceramics

Some great results out of the kiln @forestrowschoolofceramics

Matt, satin matt, crawl, oilspot and crackle glazes.

Thank you for the delicious cooking and unloading the kiln Katrina @forestrowschoolofceramics

Some great results out of the kiln @forestrowschoolofceramics

Matt, satin matt, crawl, oilspot and crackle glazes.

Thank you for the delicious cooking and unloading the kiln Katrina @forestrowschoolofceramics

@lindathepotter

•

Some great results out of the kiln @forestrowschoolofceramics Matt, satin matt, crawl, oilspot and crackle glazes. Thank you for the delicious cooking and unloading the kiln Katrina @forestrowschoolofceramics

1 week ago

View on Instagram |

7/9

A great first day of our glaze workshop in Dorset at @forestrowschoolofceramics, the kiln is loaded and we’ll see the results tomorrow.

Katrina also teaches a throwing course, coming up in January @forestrowschoolofceramics

A great first day of our glaze workshop in Dorset at @forestrowschoolofceramics, the kiln is loaded and we’ll see the results tomorrow.

Katrina also teaches a throwing course, coming up in January @forestrowschoolofceramics

@lindathepotter

•

A great first day of our glaze workshop in Dorset at @forestrowschoolofceramics, the kiln is loaded and we’ll see the results tomorrow. Katrina also teaches a throwing course, coming up in January @forestrowschoolofceramics

2 weeks ago

View on Instagram |

8/9

Lucie Rie had to make her own glazes at a time (in the 1940s) when there were very few glaze recipe books and no internet. She made mixtures of feldspar, whiting and china clay to which she added dolomite to make a matt glaze. In England there were few frits available outside the industrial potteries so she used zinc oxide as an additional flux to make her glossy glaze. She added tin oxide for white and uranium oxide or an American yellow stain to make her yellow glaze. For turquoise, she added copper oxide to a matt glaze base containing barium carbonate. For pink, she used lead chromate under her tin glaze, making a chrome-tin pink.

Emmanuel Cooper was the first to study her glaze notebooks. He published some of her glaze recipes in Ceramic Review magazine in the 1990s. I will be including both Lucie Rie’s and Emmanuel Cooper’s glaze recipes in my book Emmanuel Cooper Glazes, coming out in January 2027.

@lindathepotter

•

Lucie Rie had to make her own glazes at a time (in the 1940s) when there were very few glaze recipe books and no internet. She made mixtures of feldspar, whiting and china clay to which she added dolomite to make a matt glaze. In England there were few frits available outside the industrial potteries so she used zinc oxide as an additional flux to make her glossy glaze. She added tin oxide for white and uranium oxide or an American yellow stain to make her yellow glaze. For turquoise, she added copper oxide to a matt glaze base containing barium carbonate. For pink, she used lead chromate under her tin glaze, making a chrome-tin pink. Emmanuel Cooper was the first to study her glaze notebooks. He published some of her glaze recipes in Ceramic Review magazine in the 1990s. I will be including both Lucie Rie’s and Emmanuel Cooper’s glaze recipes in my book Emmanuel Cooper Glazes, coming out in January 2027.

2 weeks ago

View on Instagram |

9/9

Follow LindaThePotter on Twitter

© Linda Bloomfield 2026
Built with WooCommerce.

My Account
Search

Search for:
Basket 0

error: Content is protected